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Halloween Movie Index

All Movies Watched (239)

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Matt's notes on 10 Cloverfield Lane:

Matt's notes on 13 Cameras:

Matt's notes on 14 Cameras:

Matt's notes on 15 Cameras:

Matt's notes on A Girl Walks Home Alone At Night:

Matt's notes on A Nightmare on Elm Street:

Matt's notes on A Nightmare on Elm Street 2: Freddy’s Revenge:

Matt's notes on A Nightmare on Elm Street 3: Dream Warriors:

Matt's notes on A Nightmare on Elm Street 4: The Dream Master:

Matt's notes on A Nightmare on Elm Street 5: The Dream Child:

Matt's notes on A Quiet Place:

Matt's notes on A Quiet Place Part II:

Matt's notes on A Quiet Place: Day One:

The acting was great, and I liked that the main character was terminally ill so she had the liberty to have a seemingly mundane side quest while the rest of the world tried to figure out how to survive, but otherwise kind of boring.

Matt's notes on All Hallow's Eve:

Matt's notes on American Psycho:

Matt's notes on Azrael:

Great music, great atmosphere. It really felt like I was seeing a new story play out within the Saraphites of The Last of Us. Samara Weaving was great. What the hell was it all about and what happened at the end? I really don't know. But I did enjoy it.

Matt's notes on Barbarian:

Matt's notes on Beetlejuice:

Matt's notes on Bird Box:

Matt's notes on Black Cab:

To be honest, I was only half paying attention watching this after the first 20 or 30 minutes. I found it to be kind of boring. I liked Nick Frost's performance, but I just didn't find story that interesting.

Matt's notes on Black Mirror Season 6:

Matt's notes on Blacula:

It's cheesy because of when it was made, but I had always assumed it was a horror comedy, and it definitely isn't. It's a very cool take on a Dracula story with some pointed commentary on slavery and racism, and mostly a love story. Great lead, great cheese, and because it was made in the 70's, some funny action and chase sequences.

Matt's notes on Bodies Bodies Bodies:

Matt's notes on Bram Stoker’s Dracula:

Matt's notes on Bride of Chucky:

I think if I had seen this when I was a teenager, I would have been really into it, but not so into it now. Jennifer Tilly is great though.

Matt's notes on Bubba Ho-Tep:

Matt's notes on Cabin in the Woods:

Matt's notes on Cam:

This was better than I thought it was going to be. Still not sure how I feel about the ending, but I thought the rest of the movie was really compelling.

Matt's notes on Candyman:

Scared the crap out of me when I was a kid and saw a clip from the movie. So cool, and love a Chicago movie.

Matt's notes on Candyman (2021):

Matt's notes on Candyman: Farewell to the Flesh:

Not the best suqual, not the best movie, but every scene with Tony Todd is a joy, and the score (which may have been reused verbatim from the original?) is still amazing.

Matt's notes on Carrie:

Matt's notes on Casper:

Matt's notes on Child's Play:

Matt's notes on Child's Play 2:

Matt's notes on Child's Play 3:

Matt's notes on Child's Play 3:

Matt's notes on Children of the Corn:

Matt's notes on Chucky Season 1:

Absolutely bonkers. Pretty entertaining, though, and pretty cool to see Fiona Dourif play young Charles Lee Ray.

Matt's notes on Chucky Season 2:

Even. More. Bonkers. It's so over the top, and very teen drama, but the actors are fantastic, the puppetry is amazing, and Jennifer Tilly is sooooo good, and sooooo funny. 

Matt's notes on Chucky Season 3:

Chuck's in the Whitehouse! Once again, absolutely, completely bonkers. A wild ride at least.

Matt's notes on Circle:

Matt's notes on Creep:

I thought this was pretty boring without much of a payoff. I'm okay with a slow burn for a super scary or interesting ending, but the ending wasn't very scary or interesting. 

Matt's notes on Cuckoo:

I really enjoyed the style of this movie. Great visuals, great, weird dialog. A scary monster(?).

Matt's notes on Dawn of The Dead:

Matt's notes on Dawn of the Dead (2004):

Matt's notes on Day of the Dead:

Matt's notes on Dead Alive:

Matt's notes on Deep Red:

Matt's notes on Divinity:

This was a trip! Love the aesthetic and style—totally different than anything I've watched since maybe Eraserhead? It's kinda weird, but I'm into it for the visuals alone.

Matt's notes on Doctor Sleep:

Matt's notes on Don't Hug Me I'm Scared:

Absolutely incredible. Just watch it.

Matt's notes on Donnie Darko:

Matt's notes on Dylan's New Nightmare:

Matt's notes on Evil Dead II:

Matt's notes on Evil Dead Rise:

Matt's notes on Frankenstein:

This was pretty dang good. I get why it is so iconic. The monster looks fantastic, and it's fun to imagine what seeing this would have been like in 1931—probably pretty terrifying and mind-blowing. I had no idea that Frankestein was this rich heir whose murders by proxy would be forgiven because...he's rich?

Matt's notes on Freaky:

Matt's notes on Freddy’s Dead: The Final Nightmare:

Matt's notes on Friday the 13th:

Matt's notes on Get Out:

Matt's notes on Goodnight Mommy:

Matt's notes on Gremlins:

Matt's notes on Halloween:

My favorite horror movie of all time!

Matt's notes on Halloween (2018):

A fantastic reintroduction into the original Halloween timeline

Matt's notes on Halloween 4: The Return of Michael Myers:

Matt's notes on Halloween 5: The Revenge of Michael Myers:

Matt's notes on Halloween Ends:

Matt's notes on Halloween H20: 20 Years Later:

Matt's notes on Halloween II:

Matt's notes on Halloween II (2009):

Matt's notes on Halloween III: Season of the Witch:

Matt's notes on Halloween Kills:

Matt's notes on Halloween: Resurrection:

Matt's notes on Halloween: The Curse of Michael Myers:

Matt's notes on Hannibal:

Matt's notes on Haunt:

Matt's notes on Hell Fest:

Matt's notes on Hell House LLC:

Matt's notes on Hell House LLC II: The Abaddon Hotel:

Matt's notes on Hell House LLC III: Lake of Fire:

Matt's notes on Hell House LLC Origins: The Carmichael Manor:

I've been surprised by the other Hell House sequels, but this feels like they're solidly in the "stretching it too far" territory. Definitely had some scary moments, but no real new takes on what the franchise has already done, and the backstory feels unnecessary. 

Matt's notes on Hellbound: Hellraiser II:

Matt's notes on Hellraiser:

One of my all-time favorites. Fantastic score, iconic imagery.

Matt's notes on Hellraiser (2022):

Meh.

Matt's notes on Heredity:

Matt's notes on Hocus Pocus:

Matt's notes on Hocus Pocus 2:

Matt's notes on Host:

Matt's notes on House of 1000 Corpses:

Matt's notes on House on Haunted Hill:

Matt's notes on Hush:

I thought this was a great take on the home invasion genre. I'm almost always rooting for the victim in a horror movie, but this time I was really rooting for Maddie. I really felt like they put us in her head effectively. Also had some pretty gnarly gore—that hand crush was absolutely disgusting.

Matt's notes on Hysteria!:

Pretty Good!

Matt's notes on Impetigore:

Matt's notes on In a Violent Nature:

Loved it. Such a different take on a slasher, stylistically. All of the slasher tropes are there—it could almost be a remake of Friday The 13th in the plot and details, but it's soooo different in terms of mood, perspective, and style.

Matt's notes on Influencer:

I really dug it! Such a fun watch, and amazing villain. Several twists that totally got me, and beautifully shot! Definitely my favorite of the influencer subgenre so far.

Matt's notes on Inside:

Matt's notes on Insidious:

Matt's notes on Insidious: Chapter 2:

Matt's notes on Invoking Yell:

I wanted to like this so badly! It had the recipe for me to love it: an all-women black metal band filming a music video in a haunted forest in Chile?! But it definitely missed the mark for me. I kept waiting for something scary to happen, but it never came. There was no pay out for the mundane lead-up. I was bummed, but still give it two knives for the effort and cool concept. 

Matt's notes on It:

Matt's notes on It (2017):

Matt's notes on It Follows:

Matt's notes on It's The Great Pumpkin, Charlie Brown:

Matt's notes on Jason Vs. Freddy:

Matt's notes on Jaws:

I didn't find this movie to be scary whatsoever, but I was surprised at how well done it was, and how into it I was.

Matt's notes on Jeepers Creepers:

Matt's notes on Jennifer's Body:

Matt's notes on Jigsaw:

I can't believe I'm saying this, but I miss the intense green tint of the older movies. They definitely got me thinking that Jigsaw didn't die somehow, so kudos, but overall this one just felt like a lame modern take.

Matt's notes on Krampus:

Matt's notes on Lake Mungo:

Well done for what it was trying to be. I appreciate the restraint they showed with the figures spotted in the images/video, and the singular jump scare was pretty good, but otherwise suuuuuper slow and uneventful.

Matt's notes on Late Night With The Devil:

I really dug the premise and setting—they really nailed the 70's feeling, and the actors were fantastic. I wanted to know more about Jack's involvement in that supposed cult, and there were a couple of lame effects mixed in with lots of really amazing effects, but overall I really enjoyed it.

Matt's notes on Let The Right One In:

Matt's notes on Lisa Frankenstein:

I really enjoyed this. It's really good to see a fun, quirky take on a common horror theme. I loved the weird dialog, and the color and set design were fantastic. That poor dad—both of his wives were murdered?!

Matt's notes on Longlegs:

I'm not 100% sure what the hell happened, but I loved it. The style, the weird changing aspect ratios, and the nick cage was all amazing!

Matt's notes on MaXXXine:

Pretty good. So many meta moments that I really enjoyed. And the 80's set and costume styling, and film style felt really accurate and believable, but as far as the overall story goes, I didn't think it was as strong as X or Pearl.

Matt's notes on Malignant:

Matt's notes on Mandy:

Matt's notes on Midsommar:

Matt's notes on Motel Hell:

Matt's notes on Night of the Living Dead:

Matt's notes on Nope:

Matt's notes on Nosferatu:

Matt's notes on One Hour Photo:

Matt's notes on Orphan:

Matt's notes on Orphan: First Kill:

Matt's notes on Pan's Labyrinth:

It's been a while since I've watched it, but I'll never forget The Pale Man!

Matt's notes on Paranormal Activity:

I was feeling pretty critical of this for probably the first half, but as things start happening, I have to admit, it was getting me pretty jumpy. It felt super slow, but it has a pretty good payoff with some cool effects later on, but I can't help but compare it to Blair Witch, and the payoff didn't feel nearly as cool as that one.

Matt's notes on Pearl:

Matt's notes on Pet Sematary:

Matt's notes on Pet Sematary (2019):

Matt's notes on Phantasm:

Matt's notes on Poltiergeist:

Matt's notes on Possessor:

Matt's notes on Prey:

Loved it! A unique perspective in the genre that was really cool and compelling.

Matt's notes on Prom Night:

Matt's notes on Psycho:

A classic.

Matt's notes on Psycho II:

Matt's notes on Ready or Not:

Matt's notes on Reanimator:

Supremely cheesy. And the theme is just the Psycho theme with an update 80's sound?

Matt's notes on Red Dragon:

Matt's notes on Revenge:

I thought this was pretty great. Pretty difficult subject matter, but the protagonist is amazing, and her revenge arc is pretty awesome.

Matt's notes on Ringu:

Matt's notes on Rosemary’s Baby:

Matt's notes on Salem's Lot:

Definitely more fun than scary, and it really feels like a Stephen King story. But it had some great visuals—I think the floating kid vampires looked amazing, much better than the Nosferatu ripoff (or homage?). 

Matt's notes on Saw:

Matt's notes on Saw 3D:

Wooooow. This was a trip. An absolutely stupid opening sequence that seemingly had absolutely nothing to do with the story. The acting felt notably worse. The whole series feels a bit like an R-rated Law & Order episode, but this one amped it up. Many of the effects looked visibly fake, and the gimmicky 3D shots were so lame. And the repeated "Game over." lines, oof. But, I did like that the Doctor from the first movie ended up being one of Jigsaw's accomplices. Oh! I almost forgot Chester Bennington as a skinhead! 

Matt's notes on Saw II:

Matt's notes on Saw III:

Matt's notes on Saw IV:

Very cheesy (those transitions...), but Saw strikes again with an interesting "twist."

Matt's notes on Saw V:

This one was just okay, but dang, they are so consistent stylistically, and the shots showing new context to previous scenes are impressive—did they shoot some of those ahead of time? 

Matt's notes on Saw VI:

Again, the consistency! And the flashbacks! This one was not bad.

Matt's notes on Saw X:

Matt's notes on Scanners:

Matt's notes on Scream:

Absolute classic!

Matt's notes on Scream (2022):

Matt's notes on Scream 2:

Matt's notes on Scream 3:

Matt's notes on Scream 4:

Matt's notes on Scream VI:

Decent. Really likable characters, and some really cool sequences, but another super flimsy story for the killers.

Matt's notes on Scream VI:

Matt's notes on Seed of Chucky:

Getting solidy into fully kooky territory, but I actually kinda like Glen/Glenda, and Jennifer Tilly is once again great.

Matt's notes on Shaun of the Dead:

An instant classic as both a comedy and a horror movie. 

Matt's notes on Silence of the Lambs:

One of my all-time favorites.

Matt's notes on Sinister:

Matt's notes on Smile:

Matt's notes on Speak No Evil:

Matt's notes on Spiral: From The Book of Saw:

It was fine, but really just felt unnecessary. We already had a Saw sequel with a Saw protégé recreating/emulating Saw, but at least it had a twist that involved Saw. This was just a copycat who just got away I guess? I dunno, whatever.

Matt's notes on Spree:

Interesting premise, and extremely disturbing because of real-life events like the mass shooting at Christchurch, NZ, but just okay as a movie. Joe Keery was good though.

Matt's notes on Stranger Things Season 1:

Matt's notes on Stranger Things Season 2:

Matt's notes on Stranger Things Season 3:

Matt's notes on Stranger Things Season 4:

Matt's notes on Studio 666:

Suuuuper funny. I know this wasn't meant to be a horror masterpiece, but the digital effects looked pretty bad, except for the demons—those looked sick!

Matt's notes on Susperia:

My first Giallo movie, and it made a huge impression! I love this one. Plus, a classic soundtrack by Goblin.

Matt's notes on Susperia (2018):

I was expecting to dislike this, and I was blown away. Visually stunning. Such a cool twist on the original story, and Tilda Swinton is amazing in both roles.

Matt's notes on Tenebre:

Matt's notes on Terrifier:

Matt's notes on Terrifier 2:

Matt's notes on Terrifier 3:

Absolutely gruesome. The practical effects are jaw-dropping and stomach-churning, and probably responsible for two of the three knives I'm giving it.  It was also actually very funny at times, as brutal as it was. As far as story goes, kinda flat and the little bit that it tries to develop the Art lore feels kinda weak and uninteresting. But Art is still so iconic and David Howard Thornton is fantastic.

Matt's notes on Texas Chainsaw Massacre:

Matt's notes on The Amityville Horror:

Matt's notes on The Amityville Horror (2005):

Matt's notes on The Babadook:

Matt's notes on The Black Phone:

Matt's notes on The Blair Witch Project:

Matt's notes on The Conjuring:

Matt's notes on The Descent:

Matt's notes on The Devil's Rejects:

Matt's notes on The Evil Dead:

Matt's notes on The Exorcist:

Matt's notes on The Exorcist II: The Heretic:

Matt's notes on The Ghost & Mr. Chicen:

My dad showed me this movie as a kid, and I found it genuinely scary then, as well as funny. Watching it more recently I was surprised at how scary it still was. Still a great watch. 

Matt's notes on The Hills Have Eyes:

Matt's notes on The Last Man on Earth:

Vincent Price Vicent Pricing! He thinks he's the last person alive on earth during an outbreak of vampire zombies (?). Nothing terribly interesting, but I love the visuals, and I love me some Vincent Price.

Matt's notes on The Lighthouse:

Absurd, and although I didn't really get it, I did love it. Absolutely beautiful visuals.

Matt's notes on The Lodge:

Matt's notes on The Lords of Salem:

Matt's notes on The Menu:

Matt's notes on The Mill:

Matt's notes on The Night House:

Absolutely beautifully shot, excellent acting by the main actor, and the visual illusions were super cool. I was interested the whole time, and felt tense the whole time, but the ending was a bit stale. :/

Matt's notes on The Omen:

Matt's notes on The Others:

Matt's notes on The Platform:

Matt's notes on The Platform 2:

For the first while I really felt like this was a pointless retreading of what the first already did, but they got me with a few interesting turns and reveals, and ended up being decent, even though I felt like I had little idea what was going on at the end.

Matt's notes on The Purge:

Eh. Generally interesting concept, but soooo flimsy. I could stop thinking about how obviously flawed and ineffective this would be. And like...how on earth would law enforcement determine if a crime was committed shortly before or after the 12 hour window?

Matt's notes on The Purge: Anarchy:

Better than the first. But still meh.

Matt's notes on The Ring:

Matt's notes on The Shining:

Matt's notes on The Sixth Sense:

Matt's notes on The Strangers:

I saw this in theaters when it came out and recall feeling very negatively about it, and thinking that it was all jump scares and nothing else. I liked it a lot more after re-watching it (home alone, late at night, which may actually be the better way to experience a movie like this). I think the slow buildup is actually really good, and it definitely had me feeling on edge waiting for a jump scare, and surprisingly, there weren't too many. Not amazing, but not half bad!

Matt's notes on The Strangers: Prey at Night:

This felt waaaay different than the first one stylistically. A lot more of a teen slasher movie feel, and I was way less into it. I thought it was pretty lame that they had The Strangers pull some of the exact same moves from the first movie...like, are they really that un-creative that they're using the exact same moves 10 years later? I liked the family though, and both the brother and sister were acted really well, and I liked seeing The Strangers get got.

Matt's notes on The Stuff:

Matt's notes on The Substance:

Holy wow. So good. A fantastic commentary with amazing acting, amazing sound, and outrageous gore that ranges from so uncomfortably realistic, to enjoyably silly. Watch it. Watch it now!

Matt's notes on The Texas Chainsaw Massacre:

Matt's notes on The Texas Chainsaw Massacre Part 2:

Matt's notes on The Thing:

Matt's notes on The Village of the Damned:

Matt's notes on The Wicker Man:

Matt's notes on The Witch:

Matt's notes on They Cloned Tyrone:

Matt's notes on They Live:

It was a lot funnier than I assumed it would be, and I can't stop wondering about if I'd like it more if it wasn't. And that's mostly due to Roddy's ridiculous one-liners (otherwise I actually thought he was pretty good). The glasses-view shots are absolutely incredible, and a really great concept. I really liked it.

Matt's notes on Train to Busan:

Matt's notes on Trick 'r Treat:

A fantastic Halloween movie! Sam is cute, and I was rooting for him the whole time. Love the little twists of expectations throughout, and it just had me psyched for Halloween.

Matt's notes on Tusk:

Pretty awful, but it gets two stars for the sheer audacity to do something like this in 2014. Plus Justin Long and Michael Parks are pretty much always great.

Matt's notes on Under The Skin:

Matt's notes on Unfriended:

Pretty dang good actually. Probably one of the first of its kind?

Matt's notes on Us:

Matt's notes on V/H/S:

It was pretty hard to get past all of the SA—it's like that was the theme tying the shorts together. But getting past that, the shorts were pretty good. My favorite being the siren one, cause dang, that was a cool effect, and she was effectively unsettling.

Matt's notes on V/H/S/Beyond:

Pretty dang good overall! My favorite short was Stowaway (what incredible visuals), and my least favorite being Fur Babies (kinda lame, kinda Tusk).          

Matt's notes on Watcher:

Matt's notes on We Summon the Darkness:

Matt's notes on Wes Craven's New Nightmare:

Matt's notes on What We Do In The Shadows:

Matt's notes on Who Invited Them:

Matt's notes on X:

Matt's notes on You're Next:

Surprisingly cool music, and Erin's character is awesome. I wish the killers looked coolor/scarier, but overall this was not the standard home invasion movie I thought it would be.

Matt's notes on Young Frankenstein:

Matt's notes on Zombieland: